2026

With 2025 behind us, I’m excited for the year ahead and what it will bring. Last year my main focus was playing as much as possible. I performed over thirty shows across seven states and met so many great people along the way. In between, I released several singles that had been recorded the year prior, including “Almost Entirely Forgotten” with Marco Minnemann, a few cover songs, and a short EP titled Infinite Fade. Releasing this music felt important—it marked the closing of a chapter and helped clear space for what’s coming next.

Over the past year, my focus has begun to narrow, and that direction is starting to take shape.

First, I’ve been spending time revisiting and relearning Aziola Cry material. While it’s always lived somewhere in my subconscious, this music demands a deeper, more deliberate return to fully reconnect with all the nuances and odd moments I tend to write into it. This is in preparation for a new Aziola Cry album set for release early this year, along with plans for upcoming shows.

Second, alongside this, I’m beginning work on my next solo album. Still in the planning phase, this record represents a renewed focus and a significant creative effort. Basic demos are already recorded, with plans to spend the first half of 2026 assembling the intended contributions. I’m extremely excited about where this music is heading. Additionally, for the first time, I’m ahead of the curve with new Aziola Cry material, and I plan to begin recording it later this year.

Finally, I have new solo performances in the works and may release an ambient collaborative album that’s been quietly developing on and off over the last few years.

Wishing everyone a great year—hope to see you out there.